Peterloo
Mike Leigh (Mr. Turner, Secrets And Lies) provides a sobering look at the context and consequences of the 1819 Peterloo Massacre, when British government militias responded with violence to a crowd calling for political reform.
Four years after the British and their allies roundly defeated Napoleon on the field at Waterloo, a different kind of battle was fought, this time on English soil, at St. Peter’s Field in Manchester – an event that journalists quickly dubbed the Peterloo Massacre. Peterloo began as a riot involving unarmed civilians and British cavalry, and became an infamous flashpoint in the country’s history of parliamentary reform.
Following his magnificent study of the painter J.M.W. Turner, Mike Leigh’s new film is again set in the 19th century. PETERLOO looks back at a time when Britain’s working class began to fight for its rights to representation, up against an aristocracy that was determined to block what it viewed as an encroachment on its own privileges. He is scathing in his depiction of the powers that be, but he reserves most of his attention for the Peterloo victims: the protesters, many of them out-of-work textile workers, and those political reformers advocating for their right to vote. Yet, while it is plain where his sympathies lie, Leigh is even-handed in his overall approach. PETERLOO adroitly, and with a fine sense of period detail, brings this critical event and its history-altering fallout into new light.