La Haine
Modern classic by Matthieu Kassovitz – as relevant now as upon its release in 1995 – about police violence in the Parisian suburbs.
Mathieu Kassovitz took the film world by storm with LA HAINE, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts. Aimlessly passing their days in the concrete environs of their dead-end suburbia, Vinz, Hubert, and Saïd – a Jew, an African, and an Arab – give human faces to France’s immigrant populations, their bristling resentment at their marginalization slowly simmering until it reaches a climactic boiling point. A work of tough beauty, LA HAINE is a landmark of contemporary French cinema and a gripping reflection of its country’s ongoing identity crisis.